by Christopher Smith
Trampolina is written in the style and structure of a sonata form, like a 1st movement of a Classical era sonatina. It is in C major, modulating to the dominant for the 2nd subject. Although this could be considered as absolute music, the themes are inspired by a trampoline. Elements such as the rising fifth interval evoke the feeling of soaring jumps and the sequenced motif in the bridge section bounds up and down through the air. The staccato quaver motif ending most phrases are like little hops or bounces, controlling motion after the high jumps. This thematic piece will take your orchestra and audience on a playful childhood adventure, full of energy and emotion.